The Woman In Black cover by Jamie Clark
I was in the middle of reading The Woman in Black when my girlfriend suggested that we could watch the film adaptation with Daniel Radcliffe playing the leading role of Arthur Kipps as long as I didn’t mind getting spoiled. I didn’t mind the idea and so we watched it. I was bothered when I saw that the adaptation was a very different story right from the start. What the film ended up being was a Hollywoodised jumpscare fest.
Needless to say, there will be significant spoilers from here on out.
So I never got into some of the praised classics from the late Nineties and Two-thousands until fairly recently. I finished, for example, Deus Ex back in 2011 and Final Fantasy VII in 2016. I only finished Baldur’s Gate in 2017, and now, in 2018, I’ve managed to complete Baldur’s Gate 2.
The logo for Baldur’s Gate II: Shadows of Amn
All of these games have held up quite well despite the passage of time in my opinion, despite some of their janky mechanics from a modern standpoint. It can easily be seen why they are considered classics. But today I wanted to focus my post on Baldur’s Gate 2 because I felt rather strongly about it. The feelings were both positive and negative. I will begin with the positive and go on through to the obnoxious things.
It’s been another while since I last wrote anything on the site. This is mainly due to me having bitten more than I could chew workload wise and I’ve desperately been trying to catch up with university stuff, but not much has come from that. Why? Well, there’s a few reasons for that, but it’s mostly due to me moving apartments back in February.