Well now. It’s been ages since I last made a post that focused on pictures. I think it’s time to bring this “brief” pause to an end today!
It really has bothered me over the years that I’ve had some of these pictures from 2015 just sitting around, so I decided to put them together with the recent pictures I took in Joensuu. There are still more Autumn and Summer pictures that I’ve got lying around (some from Sweden as well), but they will get to have their moment at some point. Today we focus on pictures from Joensuu from the Octobers of 2015 and 2018.
So I’ve gone through both Baldur’s Gate games and enjoyed them despite their flaws. I thought I would have taken a break from CRPGs, but I ended up just continuing on into Icewind Dale right after finishing Baldur’s Gate 2. This time the first game that I had was the Enhanced Edition (by Beamdog), and the second one was the regular edition Icewind Dale 2 as no Enhanced Edition for it exists (nor apparently can exist).
Now, I was expecting something similar to Baldur’s Gate, but some things ended up being a bit different from what I had gotten used to, most likely because I wanted to get out of my comfort zone of playing Good and Neutral characters. Let’s get into it then, shall we?
The Woman In Black cover by Jamie Clark
I was in the middle of reading The Woman in Black when my girlfriend suggested that we could watch the film adaptation with Daniel Radcliffe playing the leading role of Arthur Kipps as long as I didn’t mind getting spoiled. I didn’t mind the idea and so we watched it. I was bothered when I saw that the adaptation was a very different story right from the start. What the film ended up being was a Hollywoodised jumpscare fest.
Needless to say, there will be significant spoilers from here on out.
So I never got into some of the praised classics from the late Nineties and Two-thousands until fairly recently. I finished, for example, Deus Ex back in 2011 and Final Fantasy VII in 2016. I only finished Baldur’s Gate in 2017, and now, in 2018, I’ve managed to complete Baldur’s Gate 2.
The logo for Baldur’s Gate II: Shadows of Amn
All of these games have held up quite well despite the passage of time in my opinion, despite some of their janky mechanics from a modern standpoint. It can easily be seen why they are considered classics. But today I wanted to focus my post on Baldur’s Gate 2 because I felt rather strongly about it. The feelings were both positive and negative. I will begin with the positive and go on through to the obnoxious things.
It’s been another while since I last wrote anything on the site. This is mainly due to me having bitten more than I could chew workload wise and I’ve desperately been trying to catch up with university stuff, but not much has come from that. Why? Well, there’s a few reasons for that, but it’s mostly due to me moving apartments back in February.
It’s been a while since I read Deathless, a few months at this point. I really thought that I should still write up something on it, because the book was something rather interesting, as was the book I read after it, Lost Boy by Christina Henry, but that’s another story entirely. For now, let’s look at Deathless by Catherynne Valente.
The cover for Deathless
I was feeling a tad tortured over the fact that I couldn’t decide if I should participate in club activities or if I should just go home because I wasn’t exactly feeling like going. The whole thing being only once every two weeks makes me feel extra guilty for not attending, but then my friend gave me an idea: I should write something on the topic at home. I liked the idea, and here we are. The topic at hand is “getting rid of the feeling of being pissed off,” “vitutuksen purkaminen” in Finnish. So I thought of just the thing…
I am going to absolutely blunt here: it was shit. But it was funny shit. I’ll elaborate on that a little.
I understand that, for a movie adaptation of a long long series of something, be that anime or manga or any other form of media, some changes have to be made, especially when your target audience is from a very different culture to the one it was originally built for. But this? Who the hell were the target audience? I do not understand who this was supposed to be for: the fans, teenagers, B-movie enthusiasts? Whatever few references that they made to the original manga or the anime adaptation just felt cringey to me as a fan, so I don’t think that’s it. It’s a bit too gory for teenagers, but the plot and the use of shitty pop music absolutely makes it feel like one. So was it made for B-movie enthusiasts, among which I count myself? Perhaps, but even for that it was not very good.
I finally finished The Witcher Saga a few months ago, after a decade of waiting for translations. On top of that, I found and started running a Pathfinder adventure path (a long term pre-written campaign) called Reign of Winter (don’t read the book summaries unless you’re willing to be spoiled) because of it seeming utterly insane story wise and being heavily influenced by Slavic folklore, and concerning one of the most well known of the characters in it: Baba Yaga. All of these things just falling upon my lap has lead me into just becoming fascinated by fairy tales, particularly those of Slavic origin. To feed this new fascination, I decided that I wanted to both read into the original fairy tales, and the history and culture of various Slavic cultures. For the time being, I’ve ended up focusing on Russia. So much so that I’ve even started studying Russian – something for which I’ve been looking for an excuse for a while. But before I started doing that, I bought three books inspired by said folklore: The Bear and the Nightingale, Uprooted, and Deathless. I decided to start with the first one on that list.
It’s got a very striking cover.
Finally we reach the conclusion of this series summarising the events I’ve gone through over the past two or so years. It has seen many delays over the course of the last half a year which I will go into at parts in here. There isn’t much else to note before going in, so I’ll just move on to actually continuing on from where the last part ended, around Christmas.